Summary
As an anthology series, everyFinal Fantasygame can be played out of order, not counting direct continuations (such asFinal Fantasy 10-2, the series' first sequel, orFinal Fantasy 7 Rebirth,the second in theRemaketrilogy). But while each gameshares common themes and imagery, such as chocobos, darkness against light, or powerful crystals, the occasional tantalizing hints of an interconnected multiverse are made in the most easily overlooked of places.
These hints are dropped with extreme scarcity, with only one appearing every few games. Of course, while these theories have not been definitively confirmed (or denied) by Square Equix staff, they nonetheless offer compelling interpretations of a potential interwoven multiverse and a possible glimpse into the unifying theory behindFinal Fantasy’s rich and mysterious cosmology. At the very least, imagining how each world in the series could be connected is fun to think about! Beware of multiverse-sized spoilers ahead.
There are recurring character names throughout the series, but it is a generally settled fact that these are merely references and that they are all really separate people, with very few exceptions. However, one impossible exception might be Gilgamesh. First encountered inFinal Fantasy 5, Gilgamesh is banished into the “Interdimensional Rift,” a void said to exist “between the worlds.” After returningto heroically sacrifice himselfto take down Necrophobe for Bartz and the rest of the party, it is possible that he was absorbed and transported to other worlds by the Rift.
His many appearances throughout the game depict him with the same blustering personality and desire for powerful swords. In the Japanese version ofFinal Fantasy 8,when confronting Seifer after emerging from a portal and taking Odin’s sword, he says, “You gave me the fourth one… Was it you? Ba-…?” This “Ba-” could allude to his rival, Bartz (Batsuin Japanese).
Sometime before the events ofFinal Fantasy 4: The After Years, the last surviving member of a highly advanced civilization known as the “Creator” was driven mad by the destruction of its people. It adopted a nihilistic attitude to all other life. Whether before or after this galactic cataclysm, the Creator sought out knowledge about life forms throughout the universe, contributing to its immense power.
Having traveled the universe to understand creation and spoiling for a fight, the Creator sends monsters from each Nintendo-eraFinal Fantasygame to test the party, including Gilgamesh and Omega, other dimension-hopping entities. Thesefamiliar-looking crystalswere not just fancy monster containers but data collection tools sent to worlds across the universe. Rather than drawing from parallel realities, shards, reflections, or dimensions, this implies that these beings' origin worlds were, in fact, in the same space (perhaps a galaxy) as the one seen inFinal Fantasy 4andThe After Years.
Hyne and Hein (both are spelled the same in the Japanese versions) share a few similarities when they appear inFinal Fantasy 8andFinal Fantasy 3, respectively. “Appear” might be an overstatement in the case ofFF8. Despite possibly being the puppet master andthe most powerful big badin the game, Hyne is only mentioned two times in easily missable dialogues. To cut a long story short, the human creator god began a war with his creations, and in fear of losing, he shed his body to escape, tricking the humans. He hid his real power in women, who became sorceresses, such as Edea and Ultimicia.
InFinal Fantasy 3, there is a trickster magician who also happens to be a skeleton with the same name. He lives on a floating continent above the world and deceives the king and Warriors of Light on behalf of Xande, another death-fearing magic user. This Hein could also be the half of the body that Great Hyne escaped with. Interestingly, the map location of the floating continent and the site of the Deep Sea Research Facility (which houses the ruins of an ancient civilization) line up, along with a few other land mass features. Bahamut’s home inFinal Fantasy 3was on the floating continent, and he can be acquired inFinal Fantasy 8in the Deep Sea Research Facility.
AlthoughFinal Fantasy 9is packed with loving homages to previousFinal Fantasygames, three references stand out as being particularly potent as bridges to the original game. The first is a dwarf-filled volcano in both worlds (Mt. Gulug/Gulg) with the same music between the two games. The second is that there is a major villain in both games named Garland. In the originalFinal Fantasy, after the Warriors of Light defeat him andbreak his time loop, they return to their own time, where the epilogue states that Garland will be waiting for them. Since the Warriors of Light altered time, it is possible that reality shifted to accommodate, creating an alternate Garland.
InFinal Fantasy 9,Mikoto, one of Garland’s genomes (clones), states that her maker attempted to “take control of the cycle of souls” but failed, perhaps in reference to this previous time loop. The third reference potentially connecting the first and ninth games is the four fiends, who appear exactly the same in each entry. The ending ofStrangers of Paradise(an alternate-reality sequel) may muddy the waters on Garland and the Four Fiends, but it also introduces its own connections to otherFinal Fantasygames (i.e., the appearance of the Emperor fromFinal Fantasy 2).
Even beforeFinal Fantasy 10’s sequel,Final Fantasy 10-2,came around, there were some similarities between it and the cyberpunk world ofFinal Fantasy 7. Both games use spheres as magical energy sources (“materia” inFinal Fantasy 7), and both have a physical location on the planet where the souls of the dead gather. InFF10-2, a child prodigy about the Gullwings' airship speculates that Spira’s Farplane could be tapped as an energy source, but doing so would take “generations” (a fact that Yuna, despitehaving more to do in her life, seems to lament).
The child’s name just so happens to be “Shinra,” the very same as the tyrannical electric company depicted inFF7. Anyone who might consider this a cosmic coincidence should examine the picture above. The sepia photograph, seen on one of the walls during the Shinra Tower mission inFinal Fantasy 7 Remake, depicts a man sitting front and center wearing an eerily familiar gas mask. Kazushige Nojima, the scenario writer forFinal Fantasy 10-2,somewhat casually speculatesthat Shinra could have founded a group that eventually (1,000 years or so later) would have made their way to another planet with this energy-harnessing idea in mind.
